Friday, May 30, 2008
More Hanafuda
These are just some of the cards that I liked the best. I'd explain what they are, but that would require a lot of background information. If you're interested though, feel free to ask. On the bottom are some images of the same cards from a typical real deck, so you can see how I broke from convention on a lot of them.
Tuesday, May 27, 2008
Hanafuda Cards and Book
These are pictures of my final Surface Research project- bookmaking. I designed a deck of Hanafuda cards (Japanese playing cards with 12 suits reflecting the months of the year, each represented by a different flower) and made a little accordion booklet explaining how to play a popular game with them. Thanks to Nicky for helping me finish this and taking the pictures five minutes before they were due.
Friday, May 16, 2008
Sketchbook and beyond
Some more stuff from my sketchbook. The first is a modified contour that i then colored in. The second is another experiment with the printed tissue paper and some transfers from a book of Old English tiles. I have about 200 pages of tile designs and am trying to think of some sweet stuff to do with them if anyone has any ideas. The last is a fluke that happened when I closed my laptop right after i told it to print. I reopened it and then it did that.
Wednesday, May 7, 2008
Sketchbook collages
Here are some pages from my sketchbook. Instead doing a whole new sketchbook, I decided to just try to fill up all the half-finished ones that I have. Its not going that well but hopefully once I get home I will start being more productive. Anyway, I did these by printing some cool pictures on tissue paper and then cutting them out and collaging them. Some are neater than others and some of them might be upside down but whatever.
Tuesday, April 15, 2008
"Time with Animals"
Wednesday, April 9, 2008
D.A.N.C.E.
This week's theme was modern dancers.
Martha Graham began dancing when she was 16 after seeing a Ruth St. Denis dance performance. At the time, American dance was similar to traditional ballet, but also influenced by “lesser” forms of dance and considered more entertainment than art. She was influenced by Denis and Isadora Duncan. She choreographed her first major piece, “Heretic,” in 1929. In 1936, she choreographed her famous “Chronicle” dance, which was inspired by the stock market crash, Great Depression, and the Spanish Civil War and accordingly was very dark. She kept dancing into her 70’s despite criticism of her age. She kept choreographing, but resented younger dancers performing dances she had choreographed for herself and her husband. As a result she became very depressed and abused alcohol. She insisted on referring to her work as “contemporary” rather than modern. From the few clips I can find of her or her company, some are more interesting than others, but it clearly is a big departure from the traditional dancing of her day. Also I don’t know much about dancing so I guess I shouldn’t judge. This image is from a piece that she collaborated with sculptor Isamu Noguchi, who designed the set for the dance.
Twyla Tharp formed her dance company in 1965, and has also choreographed for countless other prestigious companies. She won an Oscar for Movin’ Out and has also won many other awards. Some of her work seems pretty straightforward, but I like how in one of her dances, the choreography is pretty classic ballet except the dancers flex their feet instead of pointing them. I also saw a clip from her dance “The Upper Room,” which I liked because it interpreted the music well and again I liked the fact that it was mostly traditional dancing with subtle quirks. Here she is doing that foot thing.
Mark Morris founded his dance company at the ripe age of 24, and in less than thirty years has created more works than Tharp has in her whole career. He has choreographed modern dance, ballets and operas for major theaters worldwide. He is noted for his musicality and music choices. He and Mikhail Baryshnikov formed the White Oak Dance Project in which Twyla Tharp also participated. Morris is my favorite of these dancers. The movements look the most creative to me. While the videos I saw don't really exemplify this, the pictures of the dance group have interesting costumes and sets as well.
Martha Graham began dancing when she was 16 after seeing a Ruth St. Denis dance performance. At the time, American dance was similar to traditional ballet, but also influenced by “lesser” forms of dance and considered more entertainment than art. She was influenced by Denis and Isadora Duncan. She choreographed her first major piece, “Heretic,” in 1929. In 1936, she choreographed her famous “Chronicle” dance, which was inspired by the stock market crash, Great Depression, and the Spanish Civil War and accordingly was very dark. She kept dancing into her 70’s despite criticism of her age. She kept choreographing, but resented younger dancers performing dances she had choreographed for herself and her husband. As a result she became very depressed and abused alcohol. She insisted on referring to her work as “contemporary” rather than modern. From the few clips I can find of her or her company, some are more interesting than others, but it clearly is a big departure from the traditional dancing of her day. Also I don’t know much about dancing so I guess I shouldn’t judge. This image is from a piece that she collaborated with sculptor Isamu Noguchi, who designed the set for the dance.
Twyla Tharp formed her dance company in 1965, and has also choreographed for countless other prestigious companies. She won an Oscar for Movin’ Out and has also won many other awards. Some of her work seems pretty straightforward, but I like how in one of her dances, the choreography is pretty classic ballet except the dancers flex their feet instead of pointing them. I also saw a clip from her dance “The Upper Room,” which I liked because it interpreted the music well and again I liked the fact that it was mostly traditional dancing with subtle quirks. Here she is doing that foot thing.
Mark Morris founded his dance company at the ripe age of 24, and in less than thirty years has created more works than Tharp has in her whole career. He has choreographed modern dance, ballets and operas for major theaters worldwide. He is noted for his musicality and music choices. He and Mikhail Baryshnikov formed the White Oak Dance Project in which Twyla Tharp also participated. Morris is my favorite of these dancers. The movements look the most creative to me. While the videos I saw don't really exemplify this, the pictures of the dance group have interesting costumes and sets as well.
Friday, April 4, 2008
Spoon Doll
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